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Mexico XVII - Communication

Communication perspectives - Mexico XVII AIDS Conference
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Leve-toi, Afrique! (Wake Up Africa!)

Country

Burkina Faso, Cameroon, Togo

Region

Africa

Programme Summary

Leve-toi, Afrique! (Wake Up Africa!) is an entertainment-education song that calls on Africans to wake up and take responsibility to protect themselves against HIV/AIDS. The song is sung by nearly two dozen artists who participated in the Wake-Up! Africa campaign. The campaign addresses urban youth in the four Santé Familiale et Prévention du SIDA (SFPS) countries: Burkina Faso, Cameroon, Cote d’Ivoire and Togo. The project seeks to increase the use of modern family planning methods and condoms among urban and peri-urban populations in the focus countries.

Communication Strategies

The Wake-Up! campaign used an entertaining, positive strategy to motivate listeners to take personal responsibility to prevent the spread of HIV/AIDS by protecting themselves. Inspired by 'We Are the World' , the behaviour change communication (BCC) division of SFPS worked with Artistes Contre Le Sida (ACS) to produce the song that combines the talents of West and Central Africa’s musicians. Participants included Papa Wemba, Koffi Olimide, Tshala Muana, Meiway, Aisha Kone and Nayanka Bell, all of whom dedicated their time and contributed their talents to the project.

The song’s tone is one of hope and resilience. Recorded in French and local African languages, the song's lyrics call on listeners to become aware of the risks of HIV/AIDS, to minimise those risks by taking specific actions (practicing fidelity, using condoms, knowing their HIV status), and to increase acceptance of and compassion for people living with HIV/AIDS (PLWA). The music draws on West and Central Africa’s cultural heritage, with beats of the Congo providing the underlying rhythm.

The campaign included a music video, seven TV and radio spots, and a “behind the scenes” magazine/documentary. The music video (click here to view it ) shows scenes of the artists in the recording studio, demonstrators demanding better care for PLWA, street scenes of Abidjan, and highlights of the 10th International Conference on AIDS and STIs in Africa (ICASA), where the song had its debut. The TV and radio spots contain a key section of the song and testimonials edited from lengthier interviews with the artists. Since the spots were not scripted, the musicians can be heard speaking from their hearts about an issue that is near to many of them. Each spot addresses one of the Wake-Up! messages: promotion of condom use (three spots); mutual fidelity (one spot), importance of the well-being of PLWA (one spot), and importance of HIV testing/knowing one’s status (two spots). Additional portions of the interviews with the musicians can be heard during the magazine programme, which gives viewers insight into the process of making the song as well as why the musicians chose to participate.

Copies of the music video, TV spots and magazine programme were distributed to national television stations. While most stations chose to broadcast the video during music-related programming, some used it for transitions between programmes and before special programming events. The spots were often aired before the evening news or other prime time programming. During the broadcast of the All Africa Soccer Cup matches, which captures the attention of hundreds of thousands of viewers each year, sports fans were exposed to the Wake-Up! spots. In addition to these traditional forms of mass media, viewers in several of the SFPS countries saw the video at their local video clubs and cinema halls before the main feature was shown.

Development Issues

HIV/AIDS

Key Points

Wake-Up! Africa was first heard on opening night of ICASA in Cote d’Ivoire, December 1997. Many of the participating artists traveled to Abidjan to perform in front of conference participants, including several African Heads of State and French President Jacques Chirac.

Partners

SFPS/BCC, USAID, Johns Hopkins University/Center for Communication Programs, Academy for Educational Development (AED), Artistes Contre Le Sida.

Contact

Anna Helland
Program Officer
ahelland@jhuccp.org

Stella Babalola
Senior Research Officer
sbabalol@jhuccp.org

Health Communication Partnership
Johns Hopkins Bloomberg School of Public Health Center for Communication Programs (JHUCCP)
111 Market Place, Suite 310
Baltimore, MD 21202 USA
Tel: (410) 659-6300
Fax: (410) 659-6266
orders@jhuccp.org
JHUCCP website

SFPS/BCC, USAID, Johns Hopkins University/Center for Communication Programs, Academy for Educational Development (AED), Artistes

Source

JHUCCP website on August 4 2005 and June 29 2006.


Placed on the Communication Initiative site August 04 2005
Last Updated June 29 2006

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Culturally Effective Strategies

If culturally delicate HIV/AIDS factors such as male circumcision or fewer multiple concurrent partners are to be effectively addressed, which communication strategies are most required? [choose a maximum of 3]