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Taru - IndiaCountryIndia RegionSouth Asia Programme Summary Communication StrategiesPartnership was a key strategy in developing and evaluating the impact of this serial drama, which - while entertaining and educating its audience - was designed to motivate listeners to take charge of their health, seek out health services, and improve their own lives. Organisers explain that the combination of partners in methodology, service delivery, scriptwriting, broadcast, research and evaluation, contributed to the programme's design and strength. PCI-Media Impact elaborates: "Although serial dramas are not new to India's airwaves, the close partnership with a service provider that serves as a model in health care delivery in the storyline is designed to provide a framework for behaviours and actions promoted through the script." For example, Janani, a local health service provider, aided in the publicity and promotion of the show through posters, wall paintings, and handbills distributed through the network of rural medical practitioners (RMPs) within the villages they serve. Janani trains RMPs and their wives to promote basic health practices in remote rural communities. These RMP teams provide the infrastructure to reach the many villages where people are in need of basic health services and means of family planning. A media programme provides additional visibility and promotion of RMP services by modeling an RMP couple in the drama. Having actual RMPs provide the services in the villages was designed to allow listeners to put to practice the behaviours they have learned through the drama. The experiences of the female protagonist, Taru, and the other characters of the soap opera were designed to serve as behavioural models as they struggled with challenges in their fictional lives. The premise that social content soap operas work as a behaviour change intervention is based on Professor Albert Bandura's social learning theory - that people learn from modeling the behaviour of those they respect and from observing the consequences (positive and negative) that result from the actions of these role models. Following this theory, the characters in the drama were modeled closely after real people with whom the audience can identify. Regular listeners were engaged to share in the struggles and the joys of the characters' lives. Taru premiered on February 22 2002, in the states of Bihar, Jharkhand, Madhya Pradesh, and Chhattisgarh, and followed with broadcasts reaching across the Hindi belt in May 2002. The 52-episode soap opera was broadcast once a week over the period of a year, addressing rural men and women of reproductive age with messages on sexual and reproductive health, family planning, HIV/AIDS prevention, the value of the girl-child, education, literacy, and other health and social issues. Development IssuesSexual and Reproductive Health, Family Planning, Sexually Transmitted Diseases and HIV/AIDS, Gender Equality, Education and Literacy, Substance Abuse and Domestic Violence, Rights, Inter-caste Harmony. Key PointsHere are some selected findings from the evaluation process:
PartnersPCI-Media Impact, Janani, All India Radio, and Ohio University. ContactPCI-Media Impact
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Related SummariesSourcePCI-Media Impact, International Programs Department; and PCI-Media Impact website. Placed on the Communication Initiative site March 21 2002 Last Updated May 22 2008 |
Login / RegisterCulturally Effective StrategiesIf culturally delicate HIV/AIDS factors such as male circumcision or fewer multiple concurrent partners are to be effectively addressed, which communication strategies are most required? [choose a maximum of 3]
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